Modern Times (The Criterion Collection) | 
| Director: Charles Chaplin
Actors: Charles Chaplin, Paulette Goddard
Studio: Criterion Collection
List Price: $29.95
Buy New: $23.08
as of 5/23/2012 09:54 MDT details
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Format: Black & White, DVD, Full Screen, NTSC, Special Edition
Language: English (Original Language)
Rating: NR (Not Rated)
Region: 1
Discs: 2
Aspect Ratio: 1.33:1
Running Time: 87 Minutes
Shipping Weight (lbs): 0.3
Dimensions (in): 7.5 x 5.3 x 0.6
MPN: 715515064811
UPC: 715515064811
EAN: 0715515064811
Release Date: November 16, 2010
Availability: Usually ships in 24 hours
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Product Description
Modern Times, Charlie Chaplin’s last outing as the Little Tramp, puts the iconic character to work as a giddily inept factory employee who becomes smitten with a gorgeous gamine (Paulette Goddard). With its barrage of unforgettable gags and sly commentary on class struggle during the Great Depression, Modern Times—though made almost a decade into the talkie era and containing moments of sound (even song!)—is a timeless showcase of Chaplin’s untouchable genius as a director of silent comedy.
Charlie Chaplin is in glorious form in this legendary satire of the mechanized world. As a factory worker driven bonkers by the soulless momentum of work, Chaplin executes a series of slapstick routines around machines, including a memorable encounter with an automatic feeding apparatus. The pantomime is triumphant, but Chaplin also draws a lively relationship between the Tramp and a street gamine. She's played by Paulette Goddard, then Chaplin's wife and probably his best leading lady (here and in The Great Dictator). The film's theme gave the increasingly ambitious writer-director a chance to speak out about social issues, as well as indulging in the bittersweet quality of pathos that critics were already calling "Chaplinesque." In 1936, Chaplin was still holding out against spoken dialogue in films, but he did use a synchronized soundtrack of sound effects and his own music, a score that includes one of his most famous melodies, "Smile." And late in the film, Chaplin actually does speak--albeit in a garbled gibberish song, a rebuke to modern times in talking pictures. --Robert Horton
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