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Storytelling in the New Hollywood: Understanding Classical Narrative Technique

Storytelling in the New Hollywood: Understanding Classical Narrative TechniqueAuthor: Kristin Thompson
Publisher: Harvard University Press

List Price: $36.00
Buy New: $31.60
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Languages: English (Unknown), English (Original Language), English (Published)
Media: Paperback
Edition: 1
Pages: 416
Number Of Items: 1
Shipping Weight (lbs): 1.5
Dimensions (in): 9 x 7 x 1.1

ISBN: 0674839757
EAN: 9780674839755

Publication Date: November 5, 1999
Availability: Usually ships in 24 hours

Also Available In:

  • Unknown Binding - Storytelling in the New Hollywood: Understanding Classical Narrative Technique [Paperback]
  • Hardcover - Storytelling in the New Hollywood: Understanding Classical Narrative Technique

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Product Description
In a book as entertaining as it is enlightening, Kristin Thompson offers the first in-depth analysis of Hollywood's storytelling techniques and how they are used to make complex, easily comprehensible, entertaining films. She also takes on the myth that modern Hollywood films are based on a narrative system radically different from the one in use during the Golden Age of the studio system.

Drawing on a wide range of films from the 1920s to the 1990s--from Keaton's Our Hospitality to Casablanca to Terminator 2--Thompson explains such staples of narrative as the goal-oriented protagonist, the double plot-line, and dialogue hooks. She domonstrates that the "three-act structure," a concept widely used by practitioners and media commentators, fails to explain how Hollywood stories are put together.

Thompson then demonstrates in detail how classical narrative techniques work in ten box-office and critical successes made since the New Hollywood began in the 1970s: Tootsie, Back to the Future, The Silence of the Lambs, Groundhog Day, Desperately Seeking Susan, Amadeus, The Hunt for Red October, Parenthood, Alien, and Hannah and Her Sisters. In passing, she suggests reasons for the apparent slump in quality in Hollywood films of the 1990s. The results will be of interest to movie fans, scholars, and film practitioners alike.

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Directors
Akira Kurosawa
Alain Resnais
Alfonso Cuaron
Andrei Tarkovsky
Andrzej Wajda
Anthony Asquith
Atom Egoyan
Barbet Schroeder
Bernardo Bertolucci
Carl Theodor Dreyer
Carol Reed
Catherine Breillat
Claude Berri
David Cronenberg
David Lean
David Lynch
Derek Jarman
Dusan Makavejev
Eric Rohmer
Francois Truffaut
Federico Fellini
Fritz Lang
Gus Van Sant
Guy Maddin
Hal Hartley
Henri-Georges Clouzot
Hiroshi Inagaki
Ingmar Bergman
Jacques Becker
Jacques Tati
Jane Campion
Jean Renoir
Jean-Luc Godard
Jean-Pierre Melville
Jim Jarmusch
John Cassavetes
John Sayles
John Waters
Kenji Mizoguchi
Kon Ichikawa
Krzysztof Kieslowski
Lars Von Trier
Lasse Hallstrom
Louis Malle
Luchino Visconti
Luis Bunuel
Marcel Carne
Marco Bellocchio
Masaki Kobayashi
Michel Gondry
Michelangelo Antonioni
Milos Forman
Nicolas Roeg
Paul Morrissey
Paul Thomas Anderson
Pedro Almodovar
Pier Paolo Pasolini
Quentin Tarantino
Rene Clair
Richard Linklater
Robert Altman
Robert Bresson
Roberto Rossellini
Roman Polanski
Ronald Neame
Satyajit Ray
Seijun Suzuki
Shohei Imamura
Spike Lee
Stanley Kubrick
Steven Soderbergh
Terry Gilliam
Todd Haynes
Todd Solondz
Tom Tykwer
Vittorio De Sica
Volker Schlondorff
Werner Herzog
Wes Anderson
Wim Wenders
Wong Kar-wai
Yasujiro Ozu
Zhang Yimou

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