Fanny and Alexander (The Criterion Collection) [Blu-ray]

As for the Criterion five-disc DVD: This may be the most beautiful DVD release ever devoted to a single film. The original 188-minute international release is here, of course, in all its original glory. (It won four Oscars: foreign language film, costumes, art direction/set decoration, and cinematography--the last to longtime Bergman collaborator Sven Nykvist.) An audio commentary by Peter Cowie gives useful background.

That film was carved out of Bergman's preferred 312-minute version, telecast on Swedish TV and included here. While the shorter cut remains a wonderful movie, and complete unto itself, the five-hour film is a deep, luxurious expansion. There is more of the Christmas Eve party that begins the film, more of the theater, more of Alexander's imagination. Especially meaningful is a long sequence between Fanny and Alexander and their doomed father, as he demonstrates the nature of storytelling with a simple chair.

Also here is The Making of Fanny and Alexander, Bergman's feature-length self-portrait, and a fascinating look at the rapt attention he bestows on actors and camera. DVD extras include a penetrating hourlong TV interview Bergman gave in 1984, and a 40-minute documentary shot in 2004 with reminiscences from cast and crew (including actors Guve, Pernilla August, and Erland Josephson). A handsome booklet includes essays by Rick Moody and Paul Arthur, and one disc is made up of pithy introductions shot by Bergman in 2003, for 11 of his classics, plus a sampling of trailers. Fanny and Alexander was Bergman's final theatrical film, though he has gone right on making TV movies and writing screenplays. This is a fitting treatment of his triumph. --Robert Horton

One of the more upbeat and accessible films by acclaimed Swedish director Ingmar Bergman. Written by Bergman, this autobiographical story follows the lives of two children during one tumultuous year. After the death of the children's beloved father, a local theater owner, their mother marries a strict clergyman. Their new life is cold and ascetic, especially when compared to the unfettered and impassioned life they knew with their father. Most of the story is seen through the eyes of the little boy and is often told in dreamlike sequences. Colorful, insightful, and optimistic, this is far less grim than most of Bergman's work. It was awarded four of the six Oscars for which it was nominated, including Best Foreign Language Film. Though this was announced as his last film, Bergman continued to work into the late 1990s, though mostly for Swedish television. --Rochelle O'Gorman