Burmese Harp - Criterion Collection | 
| Director: Kon Ichikawa
Actors: Rentaro Mikuni, Shôji Yasui, Jun Hamamura, Taketoshi Naitô, Kô Nishimura
Studio: Criterion
List Price: $29.95
Buy New: $19.05
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Format: Black & White, DVD, Subtitled, NTSC
Languages: English (Unknown), English (Subtitled), Japanese (Original Language)
Rating: Unrated
Region: 1
Discs: 1
Aspect Ratio: 1.33:1
Running Time: 116 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: IMEDCC1685D
UPC: 715515022729
EAN: 0715515022729
Release Date: March 13, 2007
Availability: Usually ships in 24 hours
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Product Description
Shoji Yasui, Rentaro Mikuni. After persuading a group of Japanese mountain fighters to surrender to British forces at the end of WWII, a soldier undergoes a spiritual transformation and becomes obsessed with burying the unknown dead. 1956/b&w/116 min/NR.
Kon Ichikawa's Buddhist tale of peace, The Burmese Harp, is universally relevant in various eras and cultures, although it comments specifically on the destruction of Burma during World War II. Based on the novel by Michio Takeyama, The Burmese Harp stars a Japanese platoon stationed in Burma whose choir skills are inspired by their star musician, Private Mizushima (Rentaro Mikuni), who strums his harp to cheer the homesick soldiers. As the troop surrenders to the British and is interred in Mudon prison camp, Mizushima escapes to be faced with not only his imminent death, but also the deaths of thousands of other soldiers and civilians. Relinquishing his life as a military man, Mizushima retreats into a life of Buddhist prayer, dedicating himself to healing a wounded country. Filmed in black and white, strong visual contrasts heighten the divide between peace, war, life, and death in this highly symbolic film. Scenes in which the Japanese soldiers urge opposing forces to sing with them portray military men regardless of alliance as emotionally sensitive. Showing the humanistic aspects of war, such as the male bonding that occurs between soldiers, doesn't justify war as much as deepens its tragedy. This release includes interviews with the director and with Mikuni, further contextualizing its place in Japanese cinema. The Burmese Harp, with its lessons in compassion and selflessness, is so transformative that viewing it feels somewhat akin to a religious experience. --Trinie Dalton
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