Le Samourai (The Criterion Collection) |  | Director: Jean-Pierre Melville Actors: Alain Delon, Nathalie Delon, François Périer, Cathy Rosier, Jacques Leroy Studio: Artists International
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Format: Color, DVD, Subtitled, Widescreen, NTSC Languages: English (Unknown), English (Subtitled), French (Original Language) Rating: PG (Parental Guidance Suggested) Region: 1 Discs: 1 Aspect Ratio: 1.85:1 Running Time: 101 Minutes Shipping Weight (lbs): 0.3 Dimensions (in): 7.5 x 5.4 x 0.6
MPN: 037429208526 UPC: 037429208526 EAN: 0037429208526
Release Date: October 25, 2005 Availability: Usually ships in 24 hours
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Product Description In a career-defining performance, Alain Delon plays blue-eyed Jef Costello, a fedora and trench-coat-wearing contract killer with samurai instincts. When Jef assassinates a nightclub owner, he finds himself confronted by a series of witnesses, who drop his perfect world into the hands of a persistent police investigator and Jef's shadowy employer, both of whom are determined to put an end to the smooth criminal. A razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture with a liberal dose of Japanese lone-warrior mythology. (Criterion Collection)
Alain Delon is the coolest killer to hit the screen, a film noir loner for the modern era, in Jean-Pierre Melville's austere 1967 French crime classic. Delon's impassive hit man, Jef Costello, is the ultimate professional in an alienated world of glass and metal. On his latest contract, however, he lets a witness live--a charming jazz pianist, Valerie (Cathy Rosier), who neglects to identify him in the police lineup. When Costello survives an assassination attempt by his employers, he carefully plots his next moves as cops and criminals close in and he prepares for one last job. Melville meticulously details every move by Costello and the police in fascinating wordless sequences, from Costello's preparations for his first hit to the cops' exhaustive efforts to tail Jef as he lines up his last; and his measured pace creates an otherworldly ambiance, an uneasy calm on the verge of shattering. Costello remains a cipher, a zen killer whose façade begins to crack as the world seems to be collapsing in on him, exposing the wound-up psyche hidden behind his blank face. Melville rethinks film noir in modern terms, as an existential crime drama in soft, somber color and sleek images (courtesy of cinematographer extraordinaire Henri Decaë). Le Samouraï inspired two pseudo-remakes, Walter Hill's Driver and John Woo's Killer, but neither film comes close to the compelling austerity and meticulous detail of Melville's cult masterpiece. --Sean Axmaker
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