Samurai II: Duel at Ichijoji Temple (The Criterion Collection) |  | Actors: Toshirô Mifune, Koji Tsuruta, Mariko Okada, Kaoru Yachigusa, Michiyo Kogure
Studio: Criterion
List Price: $29.95
Buy New: $19.29
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Format: Color, Dolby, DVD, Full Screen, Subtitled, NTSC
Languages: English (Unknown), English (Subtitled), Japanese (Original Language)
Rating: Unrated
Region: 1
Discs: 1
Aspect Ratio: 1.33:1
Running Time: 104 Minutes
Shipping Weight (lbs): 0.3
Dimensions (in): 7.4 x 5.3 x 0.6
MPN: PMIDSAM110D
ISBN: 6305028699
UPC: 037429125526
EAN: 9786305028697
Release Date: July 28, 1998
Availability: Usually ships in 24 hours
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Description
Hiroshi Inagaki's acclaimed Samurai Trilogy is based on the novel that has been called Japan's Gone with the Wind. This sweeping saga of the legendary seventeenth-century samurai Musashi Miyamoto (powerfully portrayed by Toshiro Mifune) plays out against the turmoil of a devastating civil war. The Trilogy (whose first part won an Academy Award®) follows Musashi's odyssey from unruly youth to enlightened warrior. In the second and most violent installment, Duel at Ichijoji Temple, Musashi beats a samurai armed with a chain-and-sickle and is later set upon by eighty samurai disciples-orchestrated by the sinister Kojiro-while the two women who love him watch helplessly.
Picking up where Samurai I left off, Toshirô Mifune's samurai in training Musashi Miyamoto is a wandering swordsman who hones his skills in a succession of duels. When he defeats a succession of students from a local school of martial arts, he becomes marked for death by the school elders and is attacked in a series of cowardly ambushes. Romantic threads from the first film become further complicated when the virginal Otsu (Kaoru Yachigusa) and the sad courtesan Akemi (Mariko Okada) meet and discover their rivalry and Musashi earns himself an archenemy, an ambitious young swordsman named Sasaki Kojiro (Koji Tsuruta) who vows to defeat Musashi to make his name as the finest fencer in all of Japan. Inagaki ably manages the rather complicated plot with unexpected ease (subtitles are employed to help English viewers make a few narrative jumps) while he charts Musashi's education in compassion and humility and his internal struggle with his conflicted love for Otsu. The direction is still as distant and unostentatious as in the first film, while the color and settings become richer and more pronounced: studio-bound locations take on the quality and delicacy of paintings. The dramatic centerpiece of the trilogy, an epic pre-dawn battle where 40 swordsmen ambush Musashi, uses darkness and landscape to great dramatic effect as figures seep in and out of the picture. --Sean Axmaker
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