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Writing, Directing, and Producing Documentary Films and Videos, Fourth Edition

Writing, Directing, and Producing Documentary Films and Videos, Fourth EditionAuthor: Professor Alan Rosenthal
Publisher: Southern Illinois University Press

List Price: $32.50
Buy New: $27.08
as of 5/19/2012 14:54 MDT details
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New (26) Used (36) Collectible (1) from $13.88


Languages: English (Unknown), English (Original Language), English (Published)
Media: Paperback
Edition: 4th
Pages: 448
Number Of Items: 1
Shipping Weight (lbs): 1.3
Dimensions (in): 8.9 x 6.1 x 1.1

ISBN: 0809327422
EAN: 9780809327423

Publication Date: June 26, 2007
Availability: Usually ships in 24 hours

Also Available In:

  • Hardcover - Writing, Directing, and Producing Documentary Films and Videos, Revised Edition
  • Unknown Binding - Writing, Directing, and Producing Documentary Films and Videos
  • Paperback - Writing, Directing, and Producing Documentary Films and Videos Third Edition
  • Paperback - Writing, Directing, and Producing Documentary Films and Videos, Revised Edition

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Product Description
As Alan Rosenthal states in the preface to this new edition of his acclaimed resource for filmmakers, Writing, Directing, and Producing Documentary Films and Videos is “a book about storytelling—how to tell great and moving stories about fascinating people, whether they be villains or heroes.”
 
In response to technological advances and the growth of the documentary hybrid in the past five years, Rosenthal reconsiders how one approaches documentary filmmaking in the twenty-first century. Simply and clearly, he explains how to tackle day-to-day problems, from initial concept through distribution. He demonstrates his ideas throughout the book with examples from key filmmakers’ work.
 
New aspects of this fourth edition include a vital new chapter titled "Making Your First Film," and a considerable enlargement of the section for producers, "Staying Alive," which includes an extensive discussion of financing, marketing, festivals, and distribution. This new edition offers a revised chapter on nonlinear editing, more examples of precise and exacting proposals, and the addition of a complex budget example with explanation of the budgeting process. Discussion of documentary hybrids, with suggestions for mastering changes and challenges, has also been expanded, while the “Family Films” chapter includes updated information that addresses rapid expansion in this genre.


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Directors
Akira Kurosawa
Alain Resnais
Alfonso Cuaron
Andrei Tarkovsky
Andrzej Wajda
Anthony Asquith
Atom Egoyan
Barbet Schroeder
Bernardo Bertolucci
Carl Theodor Dreyer
Carol Reed
Catherine Breillat
Claude Berri
David Cronenberg
David Lean
David Lynch
Derek Jarman
Dusan Makavejev
Eric Rohmer
Francois Truffaut
Federico Fellini
Fritz Lang
Gus Van Sant
Guy Maddin
Hal Hartley
Henri-Georges Clouzot
Hiroshi Inagaki
Ingmar Bergman
Jacques Becker
Jacques Tati
Jane Campion
Jean Renoir
Jean-Luc Godard
Jean-Pierre Melville
Jim Jarmusch
John Cassavetes
John Sayles
John Waters
Kenji Mizoguchi
Kon Ichikawa
Krzysztof Kieslowski
Lars Von Trier
Lasse Hallstrom
Louis Malle
Luchino Visconti
Luis Bunuel
Marcel Carne
Marco Bellocchio
Masaki Kobayashi
Michel Gondry
Michelangelo Antonioni
Milos Forman
Nicolas Roeg
Paul Morrissey
Paul Thomas Anderson
Pedro Almodovar
Pier Paolo Pasolini
Quentin Tarantino
Rene Clair
Richard Linklater
Robert Altman
Robert Bresson
Roberto Rossellini
Roman Polanski
Ronald Neame
Satyajit Ray
Seijun Suzuki
Shohei Imamura
Spike Lee
Stanley Kubrick
Steven Soderbergh
Terry Gilliam
Todd Haynes
Todd Solondz
Tom Tykwer
Vittorio De Sica
Volker Schlondorff
Werner Herzog
Wes Anderson
Wim Wenders
Wong Kar-wai
Yasujiro Ozu
Zhang Yimou

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